Artist Lecture: Vanessa Marsh @ CSUS
Recently Sac State hosted artist Vanessa Marsh for an artist
lecture on her photographic work and technique. Marsh is a graduate of
California College of the Arts – Oakland (CCA) and has been exhibited in the
San Jose Museum of Art, and San Francisco International Airport.
Vanessa Marsh, Landscape #21 |
As an artist Marsh says she is interested in alternative
processes, and likes to explore contradictory narratives in art and media. During her lecture
Marsh spoke of how her experience and perspectives have been developed as a
result of past failure as an art student and being what she refers to as “re-reviewed”,
which means that a large portion of her work on review was rejected and she had
to go ”back to the drawing board”, as they say.
Vanessa Marsh, Surveillance 1 |
As graphic artist and photographer Marsh uses traditional photographic
elements such as negatives, a darkroom, paper, and also, dodging and burning via
Photoshop as elements of her artwork. Thematically, her work exhibits a relationship
with landscapes and she has drawn inspiration from sources such as the movie Grapes of Wrath, shown in black & white with a sparse Western
landscape as its backdrop, and Walt Disney’s animations made with moving glass
panes. Marsh’s graphic amalgamations also incorporate elements of clouds,
grass, water, and sky for the sake of emotive qualities. A recurring theme that
Marsh likes to use is that of a cave, which she likens to the psychology of
habitat and the universe.
Vanessa Marsh, Waiting |
In viewing a slideshow of Marsh’s works I was quite
impressed with the actual product that she has produced from her contradictory
narratives and use of a variety of production elements. In doing so she has
created artworks that are emotional, ethereal, futuristic, gelatinous, and
dreamlike. It was good to actually see what some non-commercial artworks look
like in the current age of graphic design and technology, and what some
possibilities could be; though Marsh does state that she feels quite comfortable
working in analog.
At the end of her talk Ms. Marsh did a brilliant job of
speaking of her influences and really elucidating the connections between them.
Those influences are Albert Bierstadt, Frederic Church, the Hubble telescope,
Ansel Adams, Robert Adams, Lori Nix, Thomas Demand, and Vija Celmins.
I'm sorry I didn't know about this lecture. I would have gone if I were free.
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