Koo Kyung Sook: Markings

When I first approached the work of Koo Kyung Sook I had no idea of what to think as they are abstract works. Of course it is important to try and find some deep connection to the work of artists, even if they are abstract. But it did not take long to find a work that was fascinating in its unique texture. I immediately noticed how one group of Sook's works had a kind of deep, molded texture that is thick and layered like a pastry crust.  The artwork's label listed its material as mulberry paper and some other materials that I had not heard of.

During one of her lectures Sook divulged her method and spoke of using materials such as a wig for a styling tool of which she used to apply markings to her canvas, hence the title of the exhibition. Sook also uses grid arrangements for her larger canvas, which consist of 100 smaller pieces assembled into one large grid. Other elements of her abstract works are items such as business cards which provide and convey a sense of identity and information. Aside from being an artist Sook has also taught art classes in Korea and, prior to 2004, has worked primarily as a sculptor.

While Sook was lecturing about one of her larger pieces I began to realize that the large wall canvas looks a lot like some of the works that tend to be favored for entertainment spaces and large rooms, and the large abstract pieces are reminiscent of the decor that has characterized the 1960s. Sook did not mention if her method is based on traditional methods, but there is a lot of work that goes into planning and molding her artworks.

Detail

Detail of mulberry canvas